Tafadzwa ZimoyoZimpapers Entertainment EditorZIMBABWEAN theatre is finding its new heartbeat within the walls of the Jasen Mphepo Little Theatre where Africa Voices Now! opened to a sold-out crowd on Saturday night.Tickets for the premiere of Batsirai Chigamaâs play âCan We Talk?â sold out days in advance, turning the festivalâs first night into an unforgettable celebration of storytelling, legacy and rebirth.The festival, presented by Almasi Collaborative Arts, marks a 13-year journey of cultivating local talent under the vision of Hollywood actress Danai Gurira, who co-founded the organisation to âbring the African narrative to the global stage.âThis yearâs edition carries a special emotional weightâ it is dedicated to the late theatre icon Walter Muparutsa, whose legacy continues to inspire generations of actors and directors.His influence was deeply felt throughout the evening with organisers, artists and audience members all acknowledging the giant whose shoulders they stand on.âWalter Muparutsa was not just an actor â he was a movement,â said Phil Chard, Almasiâs public relations manager. âWalter believed theatre could change the world â and he proved it.âThis festival isnât just entertainment; itâs reshaping the local theatre industry.
Weâre seeing young people coming back to the stage, investors showing interest, and Zimbabwe being recognised for its creative excellence again.âThe opening night of âCan We Talk?â ended in a roaring standing ovation, with some patrons visibly emotional as they hailed the homegrown talent on stage. Inside, the Jasen Mphepo Little Theatre had been completely transformed.Visual artist Takunda Regis Billiat reimagined the space with a striking art installation made from recycled materials â including towering pillars, an immersive tunnel, and sculptures symbolising the resilience of African artistry.The tunnel featured an inspiring photo timeline of Almasiâs 13-year journey, reminding guests how far Zimbabwean theatre has come.Gurira was visibly moved.âAVN is on!,â Gurira said.âI cannot remember a more impactful moment in the theatre than being among Zimbabweans watching our own stories come alive on stage.âThe night also saw a lively performance by Hope Masike, who opened the outdoor AVN Chill Zone â a music and social space featuring daily live performances, food vendors and relaxed hang-outs for theatre lovers.As excitement builds, Almasi also premired special Benefit Night on Friday, featuring These Humans Are Sick by Tatenda Mutyambizi.The performance will honour the memory of Muparutsa and raise funds for the Walter Muparutsa Fellowship, which supports emerging artists in training and international mentorship. Zimpapers Entertainment Editor ZIMBABWEAN theatre is finding its new heartbeat within the walls of the Jasen Mphepo Little Theatre where Africa Voices Now!
opened to a sold-out crowd on Saturday night. Tickets for the premiere of Batsirai Chigamaâs play âCan We Talk?â sold out days in advance, turning the festivalâs first night into an unforgettable celebration of storytelling, legacy and rebirth. The festival, presented by Almasi Collaborative Arts, marks a 13-year journey of cultivating local talent under the vision of Hollywood actress Danai Gurira, who co-founded the organisation to âbring the African narrative to the global stage.â This yearâs edition carries a special emotional weightâ it is dedicated to the late theatre icon Walter Muparutsa, whose legacy continues to inspire generations of actors and directors.
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His influence was deeply felt throughout the evening with organisers, artists and audience members all acknowledging the giant whose shoulders they stand on. âWalter Muparutsa was not just an actor â he was a movement,â said Phil Chard, Almasiâs public relations manager. âWalter believed theatre could change the world â and he proved it.
âThis festival isnât just entertainment; itâs reshaping the local theatre industry. Weâre seeing young people coming back to the stage, investors showing interest, and Zimbabwe being recognised for its creative excellence again.â
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