When I bumped into Jah Prayzah at around 4pm on Saturday, 29 November 2025, at the Harare International Conference Centre (HICC), it was immediately clear that the final show of hisNdini Mukudzeyi World Tourwas not going to be an ordinary event. Scheduled to perform at 11:30pm, the star had arrived a full seven hours earlier ā a sign of the consummate professional he has become. The tour had taken him across Europe, the Americas, Asia, and Southern Africa.
Ending it in Harare felt fitting ā a return to the people who witnessed his early struggles and celebrated his rise. Tickets had sold out at all outlets, queues wound around the venue, and latecomers were turned away. Inside, the auditorium filled with astonishing speed.
VVIP and VIP sections had sold out well in advance. Fans travelled from across Harare and beyond, hungry to witness a milestone performance from an artist who continues to raise the bar. The buzz intensified when Jah Prayzah posted his final update of the day at 6:30pm ā a boldāSOLD OUT.ā What a year, what a beautiful number of fans I have.
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I love you allā¦ Canāt wait to give you a magical performance tonight. The message sent a surge of excitement across his fan base. Before Jah Prayzah even stepped onto the stage, a lineup of supporting artists made full use of the platform.
DJs Ollah 7, Godfather Templeman, C Skillz, IROQ, Probeats, and Abisha Palmer kept the energy high between sets. This wasnāt just a concert ā it was an ecosystem. Vendors, creatives, transporters, designers, photographers, videographers, and bloggers all benefitted from the massive turnout.
It was a reminder of how one artistās success feeds an entire value chain. When Godfather Templeman finally introduced Jah Prayzah just before midnight, the crowd erupted. The auditorium shook with screams, song, and raised phones capturing the moment.
He opened with the tourās title track,Ndini Mukudzeyi, delivering it with emotional precision. It was a promise ā and he kept it.
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