A daughterâs search uncovers the extraordinary artistic legacy of Topo James âJimmyâ Molefhe, igniting a conversation about Botswanaâs forgotten creative heritage Inside the Agamotse Centre in Partial, Gaborone, a quiet reclamation is taking place. âSalvaged Works: The Art of Topo James âJimmyâ Molefheâ (1927-2010), honours a multi-talented pioneerâan educator, diplomat, musician, radio broadcaster, miniature train enthusiast and visual artistâwhose creative reach spanned five decades. Yet, much of his brilliance nearly faded into obscurity.
His daughter, Wame Molefhe, revealed that 18 artworks now hang on displayâpieces she once lived alongside without noticing their weight. âI didnât really appreciate them,â she admitted. âBut when someone asked about the artist behind the art, I dug deep.
I wrote to Tiger Kloof, and Fort Hare University sent me a 54-page dossier on my father.â With the exhibition also displaying his clothes, letters, walking sticks and classical music tapes from his showFor You Alone, Molefhe is finally being seen again. Historian Galefele Molema said the exhibition isnât just about one artistâitâs a confrontation with erasure. Botswanaâs artistic identity, he said, has long been sidelined, lost in absent archives.
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âThere isnât a long record of Botswana and the arts,â he noted. âSo, this exhibition represents a little bit of national identity, which is neglected by Botswana, because most of our identity is not what we say we are. Itâs what people interpret, and what people see, and how that is presented.
So, the artwork in here gives you a picture of what the old man was thinking about back then, and what he was exposed to. And maybe he was longing for a better time, or when he was living in simpler times. Molefhe offers a pivotâa reference point for artists to validate their work.â His paintingsârich in landscapes, impressionistic touches and still lifeâreflect a man longing for beauty, and quietly documenting Botswanaâs visual soul. The exhibition will be showing until 7 December, 2025.
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